摘要
现当代以来,随着福山雷鼓从原有的祭祀仪式与民俗活动中脱身而出,其风格特征也发生了相应的演变。动作形态上,机械、松散的动作,趋于精简,并富于舞蹈审美化;表演风格上,综合性的游艺表演形式,演变为单一的雷鼓表演;服装道具上,复杂精细趋于简单与轻巧。究其原因,既有原生文化空间消亡的直接推动,也有社会发展带来的物质生活水平的提升与审美趣味的转变以及民间艺人文化自觉意识下的完善与创新。
Since the modern and contemporary times, with the separation of Fushan thunder drum from the original sacrificial ceremonies and folk activities, its style has also undergone corresponding evolution. In terms of movement form, mechanical and loose movements tend to be simplified and rich in elements of dance aesthetic;In terms of performance style, the comprehensive entertainment performance form has evolved into a single drum performance;In terms of costumes and props, the sophisticated and delicate style also tends to be simple and light. The reasons are not only the direct promotion of the disappearance of cultural space, but also the improvement of material living standards and the transformation of aesthetic taste brought by social development, as well as the improvement and innovation of folk artists’ cultural consciousness.
作者
范文昊
FAN Wen-hao(School of Chinese Language and Literature,Shandong Normal University,Jinan 250014,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2022年第1期84-91,共8页
Journal of Beijing Dance Academy
基金
2019年福建省哲学社会科学规划项目“‘海丝’视域下中国民族舞蹈在马来西亚的跨文化传播研究”(项目编号FJ2019B115)阶段性成果。
关键词
福山雷鼓
民俗活动
风格演变
脱域
保护与传播
Fushan thunder drum
folk activities
style evolution
delocalization
protection and dissemination