战争美学中的悲剧人文主义——战争题材红色电影如何表现当代中国大众的情感结构

Tragic Humanism in War Aesthetics:On How Do War Films with the Revolutionary Theme Express the Structures of Feeling of Contemporary Chinese

当代中国战争题材的红色电影以巨大的悲剧牺牲力量弘扬爱国主义情怀,唤起了当代中国大众在文化记忆与情感结构上的深刻认同,体现了战争美学的悲剧人文主义情怀。在审美资本主义时代,这些红色电影如何在消费社会的背景下,处理好审美形式与审美理想的有机统一,体现红色乌托邦的坚定信念与中国式悲剧内核的情感交融,实现以社会政治为主线的爱国主义意识形态与以文化政治为辅线的中国传统情感结构交织互动。唯有如此,红色电影才能够引起当代观众强烈的情感共鸣,在命运共同体的构建之中重建信仰。

With the patriotism evoked by the great spirit of tragic sacrifices,war films with revolutionary theme have aroused deep recognition of the contemporary Chinese in cultural memory and structures of feeling,and embodied the tragic humanistic sentiments in war aesthetics.In a consumer society of popular capitalistic aesthetics,there is an important requirement for these films to achieve the organic unity of aesthetic form and ideal and embody the emotional blend combining the firm belief of red utopia and the core of Chinese tragedy to achieve a political and cultural interaction between the patriotism ideology and traditional Chinese structures of feeling.Only in this way can films with the revolutionary theme arouse strong emotional resonance among contemporary audiences and rebuild their faith in the construction of a community of shared future.