浅谈中国现代陶艺的创作新风

On the New Creative Style of Chinese Modern Ceramic Art

二十世纪以来,现代美术风起云涌,其艺术风格与思潮对陶瓷艺术都产生了直接或间接的的影响。二十世纪六十年代,在西方陶瓷界发生了影响世界陶瓷发展的“奥蒂斯革命”,此后的西方陶瓷受抽象表现主义与行为画派的影响,以放任、自由的形式展示艺术家的情感理念,此观念完全摒弃了传统形式的制瓷方法与陶瓷审美。二十世纪八十年代,随着我国改革开放的不断深入,西方“现代陶艺”伴随着西方现代艺术大量涌入我国,中国的“现代陶艺”与西方“现代陶艺”在现当代艺术的直接影响下,其艺术理念一脉相承,但在艺术内涵与文化等方面却又迥然不同。中国的陶瓷艺术在向着现代陶艺迈进的四十余载中,逐渐形成了鲜明的艺术创作特征。本文将以中国现代陶瓷艺术的创作新风作为研究对象,对我国现代陶艺的发展情况作简要探析。

Since the 20th century, the modern art surging, its artistic style and ideological trend of ceramic art have had a direct or indirect impact. Ceramics place in the west in the 1960 s, affected the development of the world ceramic "Otis revolution",since western ceramics affected by painting abstract expressionism and behavior, in the form of laissez faire, freedom, to show the artist’s emotional concept, the concept of completely abandoned the traditional forms of porcelain making method and the ceramic aesthetic. In the 1980 s, with the deepening of the reform and opening up in China and the west "modern ceramics" with the massive influx of western modern art in our country, China’s "modern ceramics" and western "modern ceramics" under the direct impact of modern and contemporary art, the art concept, but in terms of cultural and artistic connotation is very different. Chinese ceramic art has gradually formed distinct artistic creation characteristics in the more than 40 years of advancing towards the modern ceramic art. This article will take the Chinese modern ceramic art creation new style as the research object, to our country modern ceramic art development situation makes the brief analysis.