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鱼纹在陶瓷装饰上的发展简析

Brief Analysis on the Development of Fish Pattern in Ceramic Decoration
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摘要 除了陆地,湖泊同样是早期人类的生存来源。古人对日常生活中能够给予生存的事物都会有一种神秘的图腾崇拜。他们把日常的所见的生物,制作成图腾,用来祈求风调雨顺。鱼纹作为原始社会四大纹饰之一,被大量的应用在原始陶器和壁画艺术上。鱼纹也作为传承最久的纹饰之一,深受后世历代王朝皇室和民间百姓喜爱,当然也随着士大夫阶层的不断演绎,在不断发展。 In addition to land,lakes were also the source of early human survival.The ancients had a mysterious totem worship for things that could give survival in daily life.They made the creatures they saw into totems to pray for good weather.As one of the four major decorative patterns in primitive society,fish pattern is widely used in primitive pottery and mural art.As one of the longest inherited patterns,the fish pattern is deeply loved by the royal family and folk people of successive dynasties.Of course,it is also developing with the continuous interpretation of the literati and bureaucrats.
作者 蒋丽媛 Jiang Liyuan(Duyiyao,Jingdezhen,333000)
机构地区 独一窑
出处 《陶瓷研究》 2022年第2期104-106,共3页 Ceramic Studies
关键词 原始图腾 中国传统纹饰 陶瓷装饰 鱼纹 Primitive totem Chinese traditional decoration Ceramic decoration Fish patterns
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