浅谈明代景德镇民窑青花写意之美

On the Aesthetic Feeling of Freehand Brushwork in the Blue and White Porcelain of the Folk Kiln in Jingdezhen of Ming Dynasty

“景德镇的民窑青花瓷器生产无论是在地理位置、自然资源、抑或是在人文历史环境方面,都有其得天独厚的优势”。明代时期的景德镇民窑得到了空前的发展,青花写意作为明代陶瓷绘画艺术的代表作品体现着中国传统写意画的文人精神,蕴含着中国传统哲学的美学思想。笔者分别通过留白构图、青白色彩、题材、意境、气韵的艺术审美,分析明代景德镇民窑青花写意作品之美。

The production of civilian kiln blue and white porcelain in Jingdezhen has its unique advantages in terms of geographical location,natural resources,or cultural and historical environment.During the Ming Dynasty,the folk ceramic kilns in Jingdezhen developed unprecedentedly.Blue and white freehand brushwork,as a representative work of ceramic painting art in the Ming Dynasty,embodies the Literati Spirit of Chinese traditional freehand brushwork and contains the aesthetic thought of Chinese traditional philosophy.This paper analyzes the aesthetic feeling of blue and white freehand brushwork of Jingdezhen folk kiln in the Ming Dynasty through its composition,color,genre,artistic conception and charm.