现代转型与传统文化反思——小说《最后一个渔佬儿》和《大漠歌》之比较

Modern Transformation and Traditional Cultural Reflection——A Comparison of the Novel"The Last Fisherman"and"The Song of the Desert"

以“最后一个”为题材的短篇小说《最后一个渔佬儿》与《大漠歌》之间有着微妙关联。两篇小说都从属于寻根文学(蒙古族文学中称为“文化寻根小说”)范围,探讨了在现代转型中如何保存优秀的民族文化问题。两位主人公均为不合时宜的好汉,他们虽然在物质生活上有太多不如意,但在精神上永远追求着自我救赎;而两篇文章中贯穿着“哀而不伤”的东方悲剧精神。

This paper discusses the subtle relationship between"The Last Fisherman"and"The Song of the Desert".Both novels belong to the scope of root-seeking literature(called"cultural root-seeking novels"in Mongolian literature)and discuss how to preserve excellent national culture in the modern transformation.The two protagonists are anachronistic code hero,although they have too much dissatisfaction in the material life,but in the spirit of eternal pursuit of self-redemption;The Oriental tragic spirit of"grief without injury"runs through the two articles.