木偶戏舞台艺术的演绎分析

Deductive Analysis of Puppet Show Stage Art

木偶戏的历史源远流长,古称之为“傀儡”,指用木头刻画的形象,是我国最古老的艺术形式之一。在我国各种艺术形式的发展过程中,每一种艺术形式都有着自身独特的物质基础与技术基础,与这两个基础分割,它就无法存在,就譬如音乐的发展是同器乐的发展不可分开的,木偶的发展是同戏剧的发展不可分割,因此,它的发展也必须包含着历史、舞台动作、表演方式等物质基础与技术的基础。本论文运用文献分析法,将演员、舞台、艺术三者融合,从木偶戏的舞台艺术出发,探索木偶戏的溯源、舞台动作以及表演方式,以便达到情感与动作的高度统一。

Puppet show has a long history,which is called“puppet”in ancient times,and refers to the image depicted with wood,and it is one of the oldest art forms in China.In the development process of various art forms in China,each art form has its own unique material and technical basis.If separated from these two foundations,it cannot exist.For example,the development of music is inseparable from the development of instrumental music,and the development of puppets is inseparable from the development of drama.Therefore,its development must also include the material and technical basis of history,stage movements,performance methods and so on.This paper uses the method of literature analysis to integrate actors,stage and art,and from the stage art of puppet show,explores the origin of puppet show,stage action and performance mode,so as to achieve a high degree of unity of emotion and action.