闽南关帝信俗歌仔戏“三出头”仪式舞蹈研究--以漳州文衡殿关帝信俗仪式中的民俗舞蹈呈现为主

A Study on the Ritual Dance of Gezi Opera“Three Plays”of Lord Guan’s Belief in Southern Fujian——Mainly by the Ritual Dances in the Ceremonies of Lord Guan’s Belief of Wenheng Hall in Zhangzhou

闽南关帝信俗仪式包含着意蕴深厚的仪式内容,其中歌仔戏“三出头”仪式舞蹈融合了闽南传统傩仪、戏曲与现代元素,其音声舞律形态是儒家思想以“礼”为核心的舞蹈表达。漳州文衡殿“三出头”仪式舞蹈作为“人—神”时空场域的符号载体,将关帝“忠义仁勇”涵化在其表演程式、角色扮相、主题动作、舞蹈场图之中,通过舞蹈之“礼”的表达呈现出儒道之“礼”,二者相互辉映,共同呈现了闽南民众“以和为美”的审美情趣和追求圆融祥瑞的文化心理。

The belief and customs of Lord Guan in Southern Fujian carry colorful and profound ceremonial content.Among them,the ritual dance of Gezi opera“Three-Plays”has absorbed the traditional Nuo ceremony of Southern Fujian,traditional operasand modern elements and its form of sound and dance is the expression of Confucianism with“courtesy”as the corein the form of dancing.As the symbolic carrier of the spatial and chronological field of“man-gods”,the ritual dance of Wenheng hall in Zhangzhou acculturates Lord Guan’s“loyalty,righteousness,benevolence and courage”into its performance procedures,role appearance,theme action and dance field map.It presents the“courtesy”of Confucianismthrough the expression of the“courtesy”of dance,which reflect each other,and jointly present the aesthetic interest of“beautyvia harmony”and the cultural psychology of pursuing harmony and auspiciousness of the people in Southern Fujian.