摘要
《楚汉春秋》是以楚汉相争故事为题材的清代宫廷连台本大戏,它以明代沈采撰传奇《千金记》中的27出为底本,采取了对出目摘录和改编、单出戏曲摘录、部分曲文摘录、参考故事情节等多种编撰方式,同时编撰者还能迎合清代统治者的需求,加入神鬼戏,并立足全剧对前代其它戏曲加以借鉴,编撰成新的240出戏曲。目前关于《楚汉春秋》的文本来源,学界只是稍有提及,并无详细的论证。致力于考证《楚汉春秋》的文本渊源,详细论证了其与明传奇《千金记》的传承关系。
Chu Han Chun Qiu is a series of dramas of the court of the Qing Dynasty based on the story of the struggle between Chu and Han.Based on 27 operas of the legendary Qian Jin Ji written by Shen Cai in the Ming Dynasty,the opera adapted the legend in many ways,such as excerpts and adaptations of opera titles,single opera excerpts,partial opera excerpts,story plot excerpts and other compilation methods.At the same time,the compilers also met the needs of the rulers of the Qing Dynasty,and added god and ghost drama,and based on the other operas of previous times,compiled a new 240 operas.At present,the academic circles only mentioned the text source of Chu Han Chun Qiu without detailed discussion.This paper is devoted to the textual origin of Chu Han Chun Qiu,and demonstrates in detail its inheritance relationship with the legendary Qian Jin Ji.
作者
程炽玲
CHENG Chiling(Retirement General Party Branch of CPC,Zhaoqing University,Zhaoqing,Guangdong 526061 China)
出处
《肇庆学院学报》
2022年第3期64-68,共5页
Journal of Zhaoqing University
基金
肇庆学院2019年校级科研基金项目(201924)。
