孤独命运的两种书写——《文城》与《一日三秋》男主人公形象比较

Two Kinds of Writing of Lonely Destiny—Comparison of the Male Character Image Between Wen Cheng and Laughter and Tears

余华的《文城》与刘震云的《一日三秋》同为2021年新作,二人同为在新时期文坛上成绩斐然的作家,在新作中不约而同地选择了“出走”与“寻找”的故事,其选取的主人公都是成长过程中沉浸在无人可言说状态下的“孤独者”,在遇到生命中重要的女性之后,勇敢地做出了“出走”的选择,为摆脱孤独的处境进行了不断的尝试。就结果而言,余华用中国传统伦理缓解了林祥福的孤独,暂停了他的寻找;刘震云则将陈明亮置于现实的荒诞中,既被伦理抛弃、又被宗教拒之门外,因而只能处于“出走——寻找”的无望循环当中。无论结果如何,林祥福与陈明亮都是为摆脱自己孤独的生命状态而出走的勇敢者。

Yu hua’s Wen Cheng and Liu Zhenyun’s Laughter and Tears are both new works in 2021.Both of the two writers are outstanding in the literary world of the new era.In the new novel,they both choose the story of“leaving”and“seeking”.The protagonists are all“loners”whose growth was immersed in a state of no communication with others.After meeting an important woman in their lives,they bravely made the choice of“running away”and kept trying to get away from the lonely situation.As a result,Yu Hua alleviates Lin Xiangfu’s loneliness and suspends his search with traditional Chinese ethics.Liu Zhenyun places Chen Mingliang in the absurdity of reality,abandoned by ethics and rejected by religion,so he could just be in the hopeless cycle of“running away and seeking”.Regardless of the outcome,Lin xiangfu and Chen Mingliang were both bravers who got rid of their lonely lives.