光怪陆离——从视觉心理的角度研究酸性设计

Strange Distance——Studies the Acidic Design from the Perspective of Visual Psychology

设计风格是一个不断轮回的过程,最近几年来,酸性美学风格以一种新姿态出现在我们眼前。日本新生代设计师——GUCCIMAZE,以独特的图形、大胆鲜明的配色和其锐利的三维字体而闻名,可谓是亚洲“酸性设计”的领军人物。文章尝试深度理解这种设计风格,并剖析他的设计方法,以视觉心理的角度,从概念、起源、风格、图案与配色五大要素分析“酸性设计”。“酸性设计”在整个流行发展中始终依托文化,是时代、社会、历史的缩影,将“流行”轮回,在复古中寻求未来感。

Design style is a process of constant reincarnation,in recent years,acidic aesthetic style with a new posture in front of us in front of.New generation of Japanese designer——GUCCIMAZE,known for his unique graphics,bold colors and its sharp three-dimensional font,he is the leader of the“acidic design”in Asia.The article tries to understand this design style in depth and analyze his design methods.From the perspective of visual psychology,the“acidic design”is analyzed from the five elements of concept,origin,style,pattern and color matching.“Acid design”always relies on culture in the whole popular development,and is the epitome of times,society and history.It is a“popular”reincarnation and seeks a sense of future in retro.