摘要
周昂把以意为主作为其诗学观念的基点,强调对诗歌艺术技巧的锤炼与诗歌宗法的正确选择,提出“巧拙相济”和“尊杜抑黄”的观点。故而,他的诗学观呈现出复杂丰富的内涵,并直指苏黄诗风在金代的流弊,对金代中期的形式主义诗风具有现实批判意义。周昂的诗学观并非偶然形成,其生成与周昂遍尝兴衰荣辱的人生经历、金代中期的文化环境及传统诗学的导引都有着密切关系。
Taking the principles of meaning orientation as the basic point of poetics,Zhou Ang emphasized the tempering of artistic skills of poetry and the correct choice of the creation system of poetry,thus putting forward the viewpoints of“the mutual integration of flexibility and simplicity”and“respecting Du Fu and criticizing Huang Tingjian”.For this reason,his poetics not only presents complex and rich connotations,but also directly criticizes the abuses of poetic styles of Su Shi and Huang Tingjian in the Jin Dynasty,which is of realistic critical significance to the formalism poetic style in the middle Jin Dynasty.Zhou Ang’s poetics is closely related to his life experience,the cultural environment in the middle Jin Dynasty,and the guidance of traditional poetics.
作者
宋巍
张亚楠
Song Wei;Zhang Ya’nan(College of Arts, Bohai University, Jinzhou Liaoning 121013, China)
出处
《河北科技师范学院学报(社会科学版)》
2022年第1期11-14,52,共5页
Journal of Hebei Normal University of Science & Technology(Social Sciences)
基金
国家社科基金一般项目“辽金元北方民族审美格局及其生成机制研究”(18BZW017)。
关键词
周昂
诗学观
金代诗风
诗歌创作
Zhou Ang
poetics thought
the poetics of Jin Dynasty
poetic creation