宗白华“意境”中的艺术媒介思想探微

Research on Zong Baihua’s Artistic Media Thoughts in“Artistic Conception”

宗白华的“意境”美学思想意在营造一个情景交融、虚实相生的艺术境界。其中“情”与“景”交融的顺利实现,不仅需要构“形”的客观物质材料和显“境”的艺术媒介形式,而且离不开促使审美主体生“情”的媒介能力。而无论是构形显境所需的物质材料和艺术形式,还是审美主体生情应具备的媒介能力,都可看作艺术媒介的组成部分。因此,艺术媒介对宗白华情景交融的“意境”生成,具有本体价值和意义。探讨“景”与客观媒介物以及“情”与主体媒介感之间的互文特性,可为宗白华“意境”美学思想的推新阐释提供一个崭新视角。

Zong Baihua’s aesthetic thought of“artistic conception”aims at creating an artistic realm in which the feelings and scenery blend and the virtual and the real coexist,which needs the objective material to construct the“form”,the artistic media form to show the“scenery”,and the media ability to promote the aesthetic subject to develop the“feelings”.Both of them can be regarded as the components of artistic media.Therefore,the creation of Zong Baihua’s“artistic conception”has ontological value and significance.To explore the intertextuality between“scenery”and objective media,as well as between“feelings”and subjective media sense can provide a new perspective for interpreting Zong Baihua’s“artistic conception”aesthetic thought.