苏幕遮与傩舞的跨文化研究

A Cross-Cultural Study of Su Muzhe and Nuo Dance

苏幕遮和傩舞同属于原始宗教衍生出来的文化艺术,两者虽非处于同一区域,也非同一时期发生,最终的命运更是大相径庭。然而,由于人类思维模式的趋同性,两者的表演方式及其功能和价值取向有相似之处。文章从苏幕遮与傩舞的起源入手,依据它们的分布区域、类型与功能等方面来进一步辨析两者艺术文化异同,并且以可靠的文献史料和田野实证材料进行论证。对于已消失的苏幕遮,如何从蛛丝马迹中甄辨其符号语言。而傩舞文化,又如何进行当前语境中去解读其蕴意这才是文化研究价值所在。

This paper explores the origin of Su Muzha and Nuo dance,further distinguish and explore the similarities and differences between the two art cultures according to their distribution areas,types and functions,and demonstrate them with reliable literature and historical materials and field empirical materials.How can we identify the effective symbolic language from the clues of the disappearing Su Muzha?How should we interpret Nuo dance culture in the current context?This is the fundamental significance of cultural research.