从《白蛇2:青蛇劫起》谈动漫改编的新样板

FAn Approach into the New Model of Animation Adaptation by White Snake 2: Green Snake

随着《西游记之大圣归来》《白蛇:缘起》《哪吒之魔童降世》等动画电影的出现,重新燃起了大众对国漫的信心,国产动画的崛起论调也相继涌现了出来。虽然以往的动画电影都是以开拓经典神话和民间故事的优势资源为支撑,但在文艺复兴的时代变奏中,对经典的艺术改编早已不再照本宣科,而是在受众接受的基础上,对经典进行了解构与再构的全新想象,国漫也因此迎来了新的春天。

With the emergence of animated films such as Monkey King:Hero is Back,White Snake and Ne Zha,the public's confidence in Chinese animation has been rekindled,and the argument for the rise of domestic animation has emerged one after another.Although previous animated films are supported by exploiting the advantages of traditional mythology and folk tales,in the variations of the renaissance era,the artistic adaptation of classics has long been no longer scripted.However,on the basis of the audience's acceptance,classics are deconstructed and reconstructed by a new understanding way,which ushered in a new spring of Chinese comics.