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管虎电影美学风格嬗变

Guan Hu's Aesthetic Evolution of Film Directing Style
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摘要 管虎作为第六代导演中不可或缺的代表人物之一,创作出了许多优秀的电影作品。透过管虎的作品,可以看出他是一位集艺术性、商业性、作者性于一身的电影导演。虽然对底层人物的人文关怀、非线性的叙事手段、符号化的隐喻是管虎作品中一以贯之的,然而“作者”镜头下的边缘创作、艺术探索的人性思考、作者电影的商业化尝试、工业美学视野下的家国情怀这四个阶段的转变,又足以体现管虎导演风格的美学嬗变。 Guan Hu,as one of the indispensable representatives of the sixth generation directors,has created many excellent films in his 28 years of film creation career.Through his works,it can be seen that Guan Hu is a sixth generation film director integrating artistry,commerciality,authorship and particularity.Although the humanistic care for the bottom characters,nonlinear narrative means and symbolic metaphor are consistent in the director's works,the four stages of the transformation of the author's marginal creation,the human thinking of artistic exploration,the commercialization attempt of the author's film and the feelings of history,family and country under industrial aesthetics are enough to reflect the aesthetic evolution of the film director's style.
作者 赵刚 ZHAO Gang
出处 《民族艺林》 2022年第2期87-97,共11页 Journal of Ethnic Art
关键词 管虎 电影作者 工业美学 类型融合 美学嬗变 Guan Hu filmmakers industrial aesthetics type fusion aesthetic evolution
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