抗战时期杨涵木刻创作思想研究

On Yang Han's Woodcut Creation Thought during the Anti-Japanese War

抗战时期,版画家杨涵创作了一系列表现战争场景和农民生活的木刻作品,是其木刻创作思想形成的重要阶段。文章主要围绕杨涵抗战时期木刻创作思想的三个维度展开分析:以现实生活为创作源泉,以现实主义为创作手法,以民族化为表现形式。三个维度的分析中选取多幅杨涵具有代表性的木刻作品作为例证,并且与同时期延安地区的木刻作品进行对比。通过探究杨涵在抗战时期的木刻创作思想,把握特殊历史境域下的艺术创作方向,对当下的美术创作具有一定的借鉴意义。

During the anti-Japanese war,the printmaker Yang Han created a series of woodcut works that represented war scenes and peasants'lives,which was an important stage in the formation of his woodcut creation ideas.The article mainly analyzed three dimensions of Yang Han's woodcut creation thought during the anti-Japanese war:real life as the source of creation,realism as the creation technique,and nationalization as the form of expression.In the three-dimensional analysis,several representative woodcut works by Yang Han were selected as examples,and compared with woodcut works in Yan'an during the same period.By exploring Yang Han's woodcut creation thoughts during the anti-Japanese war and grasping the direction of artistic creation in a special historical context,it is hoped to produce important reference significance for contemporary art creation.