清初至民国《长生殿》传播与接受路径的嬗递

Evolution of the Path of Dissemination and Acceptance of Changsheng Hall from the Early Qing Dynasty to the Republic of China

《长生殿》全本演出多见于康熙年间,自乾隆中叶之后,逐渐代之以折子戏的形式流传至今。清晚期以前《长生殿》多以雕版之法刊印,至晚清民国,《长生殿》版籍书面逐渐形成以铅、石印为中心的刊印形式,这一技术转型直接促成了民国初年扫叶山房石印本以及之后新式标点排印本的出现。面对晚近时期的时代变局,昆曲《长生殿》的传承模式也在时代潮流之下求新求变。

The full performance of Changsheng Hall was mostly seen in the Kangxi period.Since the middle of Qianlong,it has been gradually replaced by Zhezi opera.Before the late Qing Dynasty,Changsheng Hall was mostly printed by engraving.Until the late Qing Dynasty and the Republic of China,the printed books of Changsheng Hall gradually formed the printing form centered on lead and stone printing.This technological transformation directly contributed to the emergence of the stone printing of Saoyeshanfang in the early Republic of China and the later new punctuation printing.Facing the changing situation of the times in recent times,the inheritance mode of Kunqu opera Changsheng Hall is also seeking innovation and change under the trend of the times.