摘要
作家文珍凭借着自己特有的创作敏感,在小说中充分还原了情感与人性在自我与社会角力中的胶着状态,为人性表演创设了一个富有生命力的故事空间。她敏锐地捕捉到了现代社会个体之间的生疏关系,深刻表达了个体在抵抗因为生疏而带来的虚无时所获得的一种奇特的存在感。逃离是文珍小说的另一个主题,作品在两性的“爱情对弈”中,真实而复杂地传递出一种不确定性和宿命感。文珍小说的创作美学在于其文本多取材于身旁最熟悉的人和事,她把卑微的人物放置于一个个具有时代普遍性的事件中,准确无误地表达着时代真实的焦虑与个体无力的感伤。
The writer Wenzhen,by virtue of her own unique creative sensibility,fully restores the state of attachment between emotion and human nature in the struggle between self and society.Wenzhen creates a story space full of vitality for the performance of human nature.She keenly captures the estranged relationship between individuals in modern society and profoundly expresses the peculiar sense of existence that individuals gain when they resist the nothingness brought by estrangement.Escape is another theme of Wenzhen’s novels.In the“love game”of both sexes,the novels truly and complexly convey a sense of uncertainty and fatalism.The creation aesthetics of Wenzhen’s novels lies in the fact that her texts are mostly based on the people and things she is most familiar with.She places humble characters in the universal events of the times,accurately expressing the real anxiety of the times and the powerless sentiment of individuals.
作者
翟永明
高小弘
Zhai Yongming;Gao Xiaohong(School of Chinese Language and Literature, Liaoning Normal University, Dalian 116081,China;Faculty of Humanities and Social Sciences,Dalian University of Technology,Dalian 116063,China)
出处
《辽宁师范大学学报(社会科学版)》
2022年第3期96-101,共6页
Journal of Liaoning Normal University(Social Science Edition)
基金
辽宁省普通高等教育本科教学改革研究一般项目“‘互联网+辽宁红色美育’路径下《美学原理》智慧教学模式研究”。
关键词
敏感
生疏
逃离
时代真实
创作美学
sensitive
unfamiliar
flee
the truth of the times
creative aesthetics