贾又福山水画图像形态研究

A study on the image morphology of Jia Youfu's landscape paintings

从中国古代山水画发展的历史脉络来看,与山水有关的图像形态和元素在魏晋以前的画作中就已广泛存在。山、石、树木、车马、屋宇、云气、水等山水图像以不同的形式大量出现于画像石、画像砖、壁画以及工艺品和生活器皿中。它们从外在的造型图式语言到内在的观念内涵都与山水画之间有着联系。自魏晋以后至今,山水语言及图像形态变得更加多样化。当代山水画家贾又福,以“以石观化”的态度对待山水艺术——“让山川代我而言”。他以旋涡式、倾斜式、水平垂直式、折线式和重山复水式等图像形态进行山水画创作。贾又福极具抽象形态的符号意味,是对传统山水图像的突破,亦是时代精神和文化观念的完美体现。

From the development history of ancient Chinese landscape painting,the image morphology and elements related to landscape began to exist widely before the Wei and Jin Dynasties.Mountains,stones,trees,horses,houses,clouds,water and other landscape images in a large number of different forms have appeared in stone portraits,brick portraits,murals and handicrafts and living utensils.They are related to the landscape painting from the external shapes to the internal concept connotation.Since the Wei and Jin Dynasties,landscape language and image morphology has become more diversified.Jia Youfu,a contemporary landscape painter,treats landscape art with the attitude of“Observing life in stones”——“Let mountains and rivers speak for me”.He creates landscape paintings in the form of swirling,slanting,horizontal and vertical,broken-line to create paintings of heavy mountains and waters.The abstract symbols made by Jia Youfu is a breakthrough in traditional landscape images and a perfect embodiment of the spirit of the times and cultural concepts.