记忆空间的国家认同——重读电影《祭红》

National Identity of Memory Space——Rereading the Film Sacrifice to Red

电影《祭红》立足于新中国成立初期的社会环境,以瓷城陶瓷美术展为契机,通过民间传说的原型隐喻、历史创伤的独特叙事、公共空间的文化参与以及讲述—倾听的结构安排串联起以往的岁月,打造出独特的记忆空间,具有除阶级斗争政治意义之外的丰富文化内涵,是一部以民族的历史记忆为中心、具有相当文化自觉意识和强烈国家认同感的影片,时至今日仍然焕发独特的思想艺术魅力。

Based on the the social environment in the early days of the founding of New China and taking the ceramic art exhibition of porcelain city as an opportunity,the film connects the past time and forms a unique memory space through the archetypal metaphor of folklore,the unique narration of historical trauma,the cultural participation of public space and the structural arrangement of narration and listening.In addition to the political significance of class struggle,the film has rich cultural connotations.The film is centered on the historical memory of the nation,with considerable cultural consciousness and a strong sense of national identity.Today,it still radiates a unique ideological and artistic charm.