摘要
“中间代”是新世纪诗歌中一个有影响力的命名。新世纪初相关诗人对“中间代”进行了反复、持续的建构,呈现出了“中间代”诗人的基本风貌。但是,这一命名缺乏内在的诗学根据,更多的是出于夹在“第三代”和“70后”诗人之间、以“60后”为主体的一批诗人进入诗坛的实际需要。“中间代”诗人集纳在“中间代”的旗号下,是消费时代的诗歌行为,他们以商业营销的方式凝成了一个文化符号。但这并不意味着这一群体的努力没有诗学价值,他们在危机时代,坚持了新诗的先锋性、纯粹性。
The″middle generation″was an influential concept of poetry group in the new century.At the beginning of the new century,the″middle generation″was repeatedly and continuously constructed by the Chinese poets,forming the basic style and features of the″middle generation″poets.However,this naming lacked an inherent poetic basis.It was actually a term created to describe the group of poets sandwiched between the″third generation″poets and the″post-70 s″poets,with the″post-60 s″as the main body.Gathering under the banner of the″middle generation″,these poets have expressed a poetic behavior in the consumption age,and have condensed into a cultural symbol in the way of commercial marketing.However,this did not mean that the efforts of this group were of no poetic value.They did insist on the vanguard and purity of new poetry in the era of crisis.
作者
程继龙
CHENG Jilong(College of Literature and Media,Lingnan Normal University,Zhanjiang,Guangdong 524048,China)
出处
《广州大学学报(社会科学版)》
CSSCI
2022年第3期128-140,共13页
Journal of Guangzhou University:Social Science Edition
基金
教育部人文社会科学重点研究基地重大项目(17JJD750002)。
关键词
中间代
命名
消费文化
诗的内核
the middle generation
naming
consumptive culture
poetic core