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作为双关语的“底层”逻辑——数字时代背景下的中国当代雕塑 被引量:2

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摘要 本文从数字时代的“新美学”概念着眼,论述这一时代背景下美学理论、艺术实践以及技术创新领域中的探索与争论,厘清当代艺术在数字技术不断发展的情形中所面临的困境:技术本体论与艺术体制的双重侵占。借由中国当代雕塑的自身优势,我们得以探析它在当下蓬勃发展且依旧生效的“底层”逻辑,而“底层”一词在中国当代雕塑的特殊语境中又有着一语双关的意义。
作者 符周阳
出处 《艺术工作》 2022年第2期38-42,共5页 Art Work
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二级参考文献14

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