摘要
“文艺大众化”作为贯穿中国20世纪的文学思潮,经过30年代“左联”时期的三次集中讨论,其思想内涵、价值取向、表现形式最终在毛泽东《在延安文艺座谈会上的讲话》中得到集中而系统的总结。“文艺大众化”在现代中国由审美思潮发展为文艺运动,是无产阶级政党领导下马克思主义历史哲学与中国近现代大同思想、新的无产阶级主体与现代审美共同体交融互塑的结果。
“Popularization of Arts”as a literary trend throughout the 20th century in China,and after three intensive discussions during the“the League of the Left-Wing Writers”period in the 1930s,its ideological connotation,value orientation,and form of expression were finally summarized in Mao Zedong’s“Speech at the Yan’an Symposium on Literature and Art”.“Popularization of Arts”has developed from an aesthetic trend of thought into a literary and art movement in modern China.It is the result of the fusion of Marxist philosophy of history and Chinese modern Datong thought,the new proletarian subject and the modern aesthetic community under the leadership of the proletarian party.
作者
曹刚
CAO Gang(School of Chinese Language and Literature,Shaanxi Normal University,Xi’an 710061,Shaanxi,China;School of Literature&Media,Ankang University,Ankang 725000,Shaanxi,China)
出处
《安康学院学报》
2022年第3期10-14,共5页
Journal of Ankang University
关键词
现代性
文艺大众化
《在延安文艺座谈会上的讲话》
modernity
Popularization of Arts
Speech at the Yan’an Symposium on Literature and Art