人物访谈

Interview with Yoshiharu Tsukamoto

刘珩:感谢塚本由晴先生欣然接受《世界建筑导报》的采访。您能将研究、学术和实践结合,这对于建筑师来说并不常见。许多年来,您已经有许多关于共有性(commonality)、地质学以及东京城市研究的出版物。您对“非对称化”的表达已被我们所熟知,这种特殊的风格将您的研究转化为图示。谈到您在日本的建筑设计实践,一些建筑师非常注重在构造方面的钻研,但您将以上种种进行融合,形成社会性的、富有逻辑的且富有成效的表达。这与日本的其他建筑非常不同。请问您如何考量工具、研究和实践的关系,您的研究与实践如何相互影响?塚本由晴:我在东京工业大学师承坂本一成学习建筑,在那里他既是设计教授,也是建筑师和学者,同时进行学术写作、研究与设计实践,这个方向确立于谷口吉郎创建之初。我意识到两者兼顾是件很有趣的事。我想要建立一个研究的游乐场,寻找建筑设计游乐场的途径。建筑实践将会拓展游乐场的领域,因此研究和实践并不矛盾。

Doreen Liu(DL):Mr.Yoshiharu Tsukamoto,thanks for accepting the interview by World Architecture Review.You are excellent in combining research,academic and practice,which is rare for architects.You already have many publications about commonality,geology,as well as urban studies in Tokyo.We are very familiar with your theory on the asymmetric style.It is a very particular manner to translate your research into graphic presentation.In the architectural design’s point of view,some works of architects are very tectonic.You,on the other hand,are more integrated,not only of tectonics but also of social,logical and productive presentation.This is very different from other Japanese architects.So the first question is about the tool,research and practice.How do you consider them in the dynamics of your research and practice?