汉代马王堆T形帛画的艺术价值与美学意义

Artistic Value and Aesthetic Significance of the T-shaped Silks Painting of Mawangdui Tombs of Han Dynasty

自20世纪70年代长沙马王堆汉墓文物出土以来,一号墓与三号墓的T形帛画因丰富的内容和瑰丽的外观成为了学界关注的焦点。众多学者从考古学和史学视角对这两幅帛画进行了考察,但对其艺术价值与美学意义的研究并不多。以目前已有的讨论汉代艺术特征及美学精神的相关文本为基础,以马王堆汉墓的两幅T形帛画为依据,探析这两幅帛画体现出来的西汉初期长沙国独特的关于生命力的艺术风格及价值,探索其中的楚地文化内涵,并挖掘其浪漫主义美学意义背后的包容性实质。

Since the excavation of cultural relics from Mawangdui Han Tombs in Changsha in the 1970s,the T-shaped silks paintings from Tomb 1 and Tomb 3 have become the focus of academic attention for their rich content and magnificent appearance.Many scholars have examined these two paintings from archaeological and historical perspectives,but there are few studies on the artistic value and easthetic significance of the two paintings.Based on the existing relevant texts discussing the artistic characteristics and aesthetic spirit of Han Dynasty and the two T-shaped silks paintings from of Mawangdui Tombs of Han Dynasty,this paper analyzed the unique artistic style and value of vitality in early Western Han Dynasty in Changsha,explored the connotations of Chu culture,and excavated the inclusive essence behind their romantic aesthetic significance.