阿来《云中记》的悲剧美学分析

An Aesthetic Analysis of the Tragedy in Alai’s"Records in the Clouds"

2019年4月出版的阿来小说«云中记»是以2008年的汶川大地震为故事的背景.“灾难与死亡”的题材往往使许多人沉浸在莫大的悲恸之中,他们的生活也停滞不前,然而«云中记»却以其独特的悲剧美学使灾难与死亡审美化.阿来自然率性的和谐观、天人合一的大化思想、不偏不倚的中庸思想等都使《云中记》的悲剧性与常规悲剧拉开了距离.解析《云中记》独具特色的悲剧美学,对理解阿来作品,扩展悲剧内涵都有重要意义.

Alai’s novel"Records in the Clouds",published in April 2019,uses the 2008 Wenchuan earthquake as the background of the story.The theme of"disaster and death"often makes many people immersed in great grief and their lives also come to a standstill,However,"Records in the Clouds"aestheticizes disaster and death with its unique tragic aesthetics.Alai’s harmony view of natural willfulness,the Dahua Thought of harmony between man and nature,and impartial doctrine of the mean and so on,all set the distance between the tragedy of"Records in the Cloud"and the conventional tragedy.It is of great significance to analyze the unique tragedy aesthetics of“Records in the Clouds”to understand his works and expand the connotation of tragedy.