摘要
毛泽东文艺思想鲜明体现了马克思主义哲学本质,亦即文艺创作生产根植于能动的反映论的美学原理。毛泽东同志发表《在延安文艺座谈会上的讲话》,从理论上阐明了文艺美根源于社会生活、文艺美宗旨要为人民服务、文艺美的建造需要学会使用辩证法、文艺工作者需要深入生活深入群众等基本原则,并彻底贯彻历史唯物主义,讲求知行统一观,突出强调“人的社会性”以及“无产阶级和革命人民”的主体性,高举起人民美学的旗帜。
Mao Zedong’s literary thought clearly embodies the essence of Marxist philosophy,that is,the aesthetic principle of literary creation and production rooted in the dynamic reflection theory.Comrade Mao Zedong’s speech at the Yan’an Symposium on Literature and Art theoretically expounds that the beauty of literature and art originates from social life,the purpose of the beauty of literature and art is to serve the people,and the construction of the beauty of literature and art needs to learn to use dialectics;and that the writers and artists need to go deep into the daily life and engage with the people,thoroughly implement historical materialism and the concept of unity of knowledge and practice,emphasize the"human sociality"and the principal position of"proletariats and revolutionary people",and hold high the banner of people’s aesthetics.
出处
《学术前沿》
CSSCI
北大核心
2022年第8期104-108,共5页
Frontiers
关键词
马克思主义美学
文艺工作
知识分子
Marxist aesthetics
literary and artistic work
intellectuals