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清代蒙古族女性诗人诗歌艺术审美脞说

On the Aesthetic Art of Chinese Poetry by Chinese Mongolian Female Poets in Qing Dynasty
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摘要 清代蒙古族女性诗人以少数民族的身份与视野,在长时期的中华文化熏陶成长滋润中,用汉语进行诗文创作,建构了诗意的文学精神家园。她们的诗作或语言精致典雅、清丽自然,或女性意识浓厚;她们既有诗作,也不忘创作批评,她们以独有的女性意识和诗学理念进行情感生命的诗化与开拓,使生命与诗歌完成融合,拓展出一片属于蒙古族女性诗人的审美丰裕空间领域,进行自我灵魂的建设与探索,最终确立了作为女性文学书写存在的永恒价值。蒙古族女性诗人诗化、艺术化的人生追求,体现出对中华文化的多重交融的理解,突出对中华民族文化共同体的认同。 With the identity and vision of ethnic minorities,Mongolian female poets,based on their own national culture and nurtured by Chinese culture for a long time,created poems in Chinese and constructed the home of literature,culture and spirit.The languages in their poems are exquisite,elegant,beautiful and natural,or have strong female consciousness.They not only create poems but also conduct literary criticism.With the unique female consciousness and poetic philosophy,their emotional life are developed and expanded and then integrated with their life.Mongolian female poets expand a unique aesthetic rich field,in which the construction and exploration to their inner selves can be conducted and the existing eternal value as the female writing would be finally established.The poetic and artistic pursuit of Mongolian female poets embodies the understanding of the multiple integration of Chinese cultures,highlights the recognition of the cultural community of the Chinese nation.
作者 多洛肯 侯彪 DUO Luo-ken;HOU Biao(Department of Chinese Language and Literature,Northwest Minzu University,Lanzhou 730030;Zhengzhou Sihe Art School,Zhengzhou 450049)
出处 《阴山学刊》 2022年第3期1-8,共8页 Yinshan Academic Journal
基金 国家社科基金重大项目“明代少数民族诗文文献辑录与文学交融研究及其资料库建设”(19ZDA282)。
关键词 清代 蒙古族 女性诗人 审美空间 诗歌艺术 精神建构 Mongolian in Qing Dynasty female poets aesthetic space the art of poetry spiritual construction
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