山水画的图像身份建构——以皖南诸画派为例

Construction of Imagery Identity in Mountain-water Paintings:A Case Study of the Paintings Schools of Southern Anhui

山水画作为一种图像存在,是人类社会与自然事物交流的一种媒介。与文字的透明性表达不同,山水画图像强调的是一种非透明性的矛盾性和情感下意识性的直接表达,属于一种主观的构成。山水画通过其叙事表达、文化记忆等不同维度进行一种形象的建构与身份表达。

As an imagery existence,mountain-water paintings have been a communication medium between the human society and nature.Differing from transparent expressions of texts,images in mountain-water paintings emphasize a direct expression of nontransparent paradox and emotional subconsciousness,making the latter a component of subjectivity.Mountain-water paintings entail image construction and identity expression on multiple dimensions such as narrative expression and cultural memory.