媒介、图式与跨域:20世纪90年代以来黑龙江水彩画的地域性现象

Media,Schema and Cross-domain Development:Regional Phenomenon of Heilongjiang Watercolor Paintings since the 1990s

本文以20世纪90年代以来的黑龙江地域水彩画创作为研究对象,着重探讨了地域性现象兴起的主体选择与形式表达,指出了地域艺术家的跨域传播造就了当下黑龙江水彩画的创作格局。黑龙江水彩画地域性现象是中国水彩画在新时期发展的一个缩影,它的产生与学院、社会有着极为密切的关系,是20世纪90年代之后中国水彩画多元化艺术空间形成的标志事件之一。

Focusing on regional watercolor creations in Heilongjiang since the 1990s,this paper explores the subject selection and formalistic expression related to the emergence of the regional phenomenon,and argues that the cross-domain communication practiced by regional artists has given rise to the current landscape of watercolor creation in Heilongjiang.The regional phenomenon of watercolor in Heilongjiang epitomizes the development of Chinese watercolor paintings in the new era;its emergence was closely associated with academies and the society,making it one of the landmark events for the appearance of diverse artistic spaces in China’s watercolor paintings in the 1990s.