诗歌的肉身——论托马斯·特朗斯特罗姆诗中的主体与世界

The Flesh of Poetry:The Subject and the World in Poems of Tomas Transtr?mer

托马斯·特朗斯特罗姆是当代瑞典的著名诗人,也是2011年诺贝尔文学奖获得者。他的诗歌以极具个人风格的意象与凝练的语言呈现了一个与众不同的艺术世界。这一深邃而隐秘的世界,诗意地与现实个体的生存境遇遥相呼应,构成了一个展现可见与不可见之边缘的文学舞台。在这些诗歌中,知觉的主体如何进入这一世界,与这一世界的关系何在;通过法国学者莫里斯·梅洛-庞蒂的哲学,从知觉的身体出发去探求特氏诗歌何以将自我、世界中晦暗的部分主题化。

Tomas Transtr?mer is a famous poet in contemporary Sweden and the winner of the 2011 Nobel Prize in Literature. His poems present a unique artistic world with highly personal imagery and concise language. The deep and hidden world,which poetically echoes the living conditions of real individuals, forms a literary stage showing the visible and invisible edge. In these poems,how does the subject of perception enter into this world and what is the relation to the world? Through the philosophy of the French scholar Maurice Merleau-Ponty,the paper tries to explore how poems of Tomas Transtr?mer realize the process of subjectivization of the self and the dark part of the world from the body of perception.