“文学增产”动员与抵抗:《决战台湾小说集》的反殖民叙事策略

Mobilization and Resistance for“Produce More in Literature”:The Narrative Strategies of Resisting Colonialism in The Decisive Battle of Taiwan Novels

《决战台湾小说集》是日本殖民当局文化收编的最极端产物。本研究挖掘以往未曾被研究者注意到的史料,并与日本作家的相关文本作对照,认为:杨逵描写了“产业战士”物质生活和精神生活的双重窘迫;吕赫若的书写中农人的劳动被放置在主要位置,足以体现其关怀农工的倾向;张文环回避描写“产业战士”“增产报国”的主题,抽离了“产业战士”,模糊了焦点;龙瑛宗有意祛除了日本军国主义意识形态,选择性地记录了两个青年在海军训练所的生活,可见对军国主义的反感以及对底层人民命运的关怀。在文学被强权收编、几乎没有反抗空间的特殊境况下,台湾地区作家敷衍殖民当局的书写要求,转为书写乡土、民俗传统,歌颂劳动之美,体现了他们反殖民的抗争精神。

The Decisive Battle of Taiwan Novels is a literary collection most representative of the Japanese colonial government’s cultural assimilation.Analyzing the hitherto unutilized sources and juxtaposing them with Japanese texts,this study shows that Yang Kui described the dual dilemma that the“industrial warriors”faced in their material and spiritual life;Lu Heruo placed the peasant labor at the center of his writings,mirroring his concerns for the lower class of peasants and workers;Zhang Wenhuan evaded the subjects of“industrial warriors”and“increasing production to serve the country”and thus blurred the focal point;Long Yingzong deliberately circumvented Japanese militarism in his account of the lives of two young men in the naval training center,in line with his distaste for militarism and care for people at the bottom.Facing Japan’s co-option of literature and having little room for resistance,the writers in Taiwan embraced the writing requirements of the colonial government in a perfunctory manner.They turned to write about the local society and folk tradition,as well as celebrate the beauty of the laboring people,which embodied the spirit of resistance.