中国电影地缘文化的伦理视角

The Ethical Perspective of Chinese Film Geoculture

中国地缘文化是丰富、复杂和多维的,在乡规民约、丧葬禁忌、生活礼仪、节日庆典、风俗习惯、乡土文明等方面存在很大差异,是不同地域的人们在处理人与人、人与自然、人与社会关系时的伦理规则的体现。因此,电影在呈现不同地域的日常生活习俗、道德习俗、生命伦理、乡土文明时,自然具有较大的伦理差异性。山城重庆有着自己独特的地域特征和文化内涵,电影中所展现的生活在山谷夹缝中的巴渝人民,在这一特殊地域中始终处于一种迸发状态:新与旧、时尚与传统、大城市与大农村并存的地缘文化特点,在某种程度上也影响着重庆主城和区县本土影像的伦理表达。我国地缘文化的多样性、丰富性、复杂性特征造就了不同地缘各具特色的伦理景观,而电影所反映的特定语境下伦理道德现象可在一定程度上引发观众的深入思考与感悟。

China’s geo-cultural is rich, complex and multi-dimensional, and there are great differences in village rules and regulations, funeral taboos, life etiquette, festival celebrations, customs and habits, and local civilization. Ethical rules in relation to nature, man and society. Therefore, when the film presents the daily customs, moral customs, bioethics, and local civilizations of different regions, there are natural ethical differences. The natural environment of the mountain city of Chongqing is harsh. The people of Bayu who live in the valleys in the movie are always in a state of bursting in this special area. The disorder of ethics and morality in a specific context leads to in-depth thinking and perception of the audience.