国内接受美学理论视角下的翻译发展研究(2001-2020)——基于CiteSpace可视化分析

A Study on Translation Development fromthe Perspective of Reception Aesthetics Theory in China(2001-2020)——Visual analysis based on CiteSpace

运用CiteSpace软件对2001-2020年间CNKI数据库中收录的与接受美学翻译理论研究相关的1943篇论文,从相关文献的不同年度发文总量、主要研究者及单位、关键词术语、关键词突变等方面进行可视化分析。结果显示,虽然近几年有关接受美学理论在翻译领域的研究有小幅下降趋势,但总体基数比较大,该方面研究受到了国内学者的广泛关注;主要研究者之间虽存在微弱联系,但分布比较松散,且联系不够密切;主要研究内容为探讨接受美学翻译理论框架,以及分析经典文学作品和影视作品的译本;研究的热点集中在儿童文学翻译、字幕翻译、葛浩文。最后,笔者提出了对接受美学理论未来发展的三个思考。

Using CiteSpace software,this papermakes a visual analysis of 1943 papers related to translation theory of reception aesthetics and collected in CNKI database from 2001 to 2020 from the aspects of annual publications,main researchers and units,key terms,and key word mutations.The results show that although there has been a slight decline in the study of reception aesthetics in the field of translation in recent years,the overall base is relatively large,and the study of reception aesthetics has received extensive attention from domestic scholars.There are relationships among major researchers,but generally the distribution is loose and the relationship is not clo-se enough.The main content of the study is to explore the theoretical framework of reception aesthetics translation and analyze the trans-lation of classical literary works and film and television works.The research focuses on children’s literature translation,subtitle trans-lation and Howard Goldblatt.Finally,the author puts forward three thoughts on the future development of reception aesthetics theory.