李公麟《孝经图》的递藏链与人物关系——兼论徽籍收藏家对《孝经图》的有意收藏

The Relationship between the Collection Chain and Characters of Picture of Filial Piety by Li Gonglin——Also on the intentional collection of the Picture of Filial Piety by collectors from Huizhou

现藏于美国大都会艺术博物馆的《孝经图》,传为宋李公麟所作。学界多针对此卷的真伪、创作年代、作者、底本来源、图像主题内容、各种版本之间的关联进行解读,而对画卷的收藏过程与价格等核心问题,尚缺少专门的论述。(1)本文从画卷中历代题跋、印鉴入手,参考著录、信札、地方志以及谱牒等文献,试图详细考察作品的流传过程和价格因素。通过梳理卷中人物背景、交游关系与递藏链,发现大多数收藏者的本籍均来自于徽州地区,应是重视孝道的徽州人对《孝经图》的有意收藏,从某种意义上来说,此卷的收藏活动凸显了徽州地区“孝”的地域文化特性。

The Picture of Filial Piety, now collected in the Metropolitan Museum of ar t, is said to be painted by Li Gonglin of Song Dynasty. Academic circles mostly interpret the authenticity, creation age, author, source of base copy, image theme content and the relationship between various versions of this volume, but there is still a lack of special discussion on the core issues such as the collection process and price of the scroll. Star ting with the inscriptions, postscripts and seals of the past dynasties in the picture scroll, and referring to the documents such as description, letters, local chronicles and genealogy, this paper attempts to investigate the spread process and price factors of the works in detail. By combing the background, friendship and collection chain of the characters in the volume, it is found that most collectors’ books come from Huizhou area, which should be the intentional collection of this painting by Huizhou people who paid much attention to filial piety. In a sense, the collection activities of this volume highlight the regional cultural characteristics of "filial piety" in Huizhou area.