19世纪法国消费符号与性观念——《包法利夫人》画作的隐喻分析

The Consumption Symbols and Sexual Concepts of French in Nineteenth Century——An Analysis of the Metaphor of the Paintings in Madame Bovary

文学作品中出现的画作,是作者隐藏于文字背后的情感表达。《包法利夫人》中存在诸多内涵丰富的画作,它们分别指涉四种隐喻——体现人物成长环境与性格特征、体现理想与现实的反差、包含对母女和家庭关系的隐喻、象征着人对欲望的迷失。作为一种物品,隐喻之画实际上成为了一个消费符号,它指涉19世纪法国的消费文化、时尚文化,体现了当时的女性意识和社会的性观念。

The paintings in literary works are the emotional expression of the author hidden behind the words. There are many paintings with rich connotations in Madame Bovary, which refer to four kinds of metaphors respectively--reflecting the growing environment and personality characteristics of characters, reflecting the contrast between ideal and reality, including the metaphor of mother and daughter and their family relationship, and symbolizing the human getting lost in desire. As a kind of object, metaphorical painting has become a symbol of consumption, which refers to the consumption culture and fashion culture of French in the 19th century and reflects the female consciousness and social sexual concept at that time.