现代诗:本体的“异质”与属性的“变异”

Modern Poetry:“Heterogeneity”of Noumenon and“Variation”of Property

诗歌一直是“斯芬克斯之谜”,所有的界定都很难穿透本体“迷宫”。诸多论说虽能无限逼近部分“真谛”,却永远无法抵达全部。人们常陷于本体的两个魔咒:既纠结于“诗”的广义与狭义的纷争,也在纯与不纯的扞格中徘徊。现代诗本体正面临历史上最大的“飘移”状态——大量非诗语料入驻诗歌殿堂,精致高雅掺入粗鄙流俗,纯然澄明接收综合杂芜。诗歌的晶体出现“递衰”现象,诗歌的泛文化制造新型的“杂质”。诗歌自“神谕”“载道”到“表现”“体验”,几经辗转,遭遇着纯与不纯、诗与不诗的“异质混成”。诗歌的本体,牵连着现代诗的属性,其质地正在进一步分延变异。

The essence of poetry has always been a Riddle of Sphinx with which every attempt at definition finds itself a failure.There exist several ideas and opinions,and,however,none of them can reach the“final truth”.People are usually put in a tight spot:they either struggle with the concept of“poetry”in a broad or narrow sense,or with the“pure”or“not pure”poetry.At the same time,modern poetry and its noumenon are facing a tricky situation unprecedented in history:a lot of language materials which do not belong to poetry enter the domain of poetry;the noble and elegant is mixed with the rude and vulgar,and the clear and distinct embraces the miscellaneous and disordered.The noumenon of poetry starts to decay because the cultural embodiment of poetry has created more and more new impurities.The conception of poetry has evolved through time from the“oracle”and“conveying the truth”to“expression”and“experience”,oscillating between the pure and the not pure,and poetry and non-poetry.The texture of the noumenon of poetry implicating the property of modern poetry is now further differentiating.