摘要
曹雪芹《红楼梦》为“红楼”青年女性立传使“闺阁昭传”故事的时代征候皆与满族文化中的神女崇拜情结等有相当关联,旗人女性家庭地位之高是《红楼梦》艺术的现实土壤。《红楼梦》是旗人曹雪芹的创作,但渗透其中的进步文化观念、人文精神和艺术境界,已经超越民族苑囿,是满汉文化交融的丰碑,是满族对中华文明的伟大贡献。
Cao Xueqin’s A Dream of Red Mansions is a biography of young women in the“Red Man⁃sions”.The era signs of the story are quite related to the goddess worship complex in Manchu culture.The high family status of banner women is the realistic soil of the art of A Dream of Red Mansions.A Dream of Red Mansions is the creation of Cao Xueqin who is a banner.However,the progressive cultural concept,hu⁃manistic spirit and artistic realm permeated in it have gone beyond the national garden.It is a monument to the integration of Manchu and Han culture and the great contribution of Manchu to Chinese civilization.
作者
黄季鸿
HUANG Jihong(College of Arts,Northeast Normal University,Changchun,Jilin 130024,China)
出处
《吉林师范大学学报(人文社会科学版)》
2022年第3期92-98,共7页
Journal Of Jilin Normal University:Humanities & Social Science Edition
关键词
《红楼梦》
曹雪芹
满洲
A Dream of Red Mansions
Cao Xueqin
Manchuria