重塑与变迁——多重视野下申遗和后申遗时期“上舍化龙灯”龙舞表演的身份认同

Remodeling and Transformation——Identity of Dragon Dance Performance of“Shangshe Hualong Lantern”in Application and Post-application for Intangible Cultural Heritage Period from Multiple Perspectives

上舍化龙灯龙舞表演艺术起源于清嘉庆年间,因花灯瞬间变龙灯而得名。2007年,上舍化龙灯表演艺术列入浙江省非遗名录,2014年又列入国家级非遗名录。该艺术品种从地方视野中的传统艺术事项,到国家视野中的“非遗项目”,经历着身份的转变。在这一过程中,多重力量对艺术形式本身和其共生环境进行了重塑,多重视野下该艺术与艺术持有人也呈现出不一样的身份认同。而进入后申遗时期上舍化龙灯表演艺术的“境遇”,又将勾勒出它在新时期不同以往的发展路径。

The Shangshe Hualong Lantern dragon dance performance art originated in the Jiaqing Reign of Qing Dynasty.It was named because the lanterns instantly changed into dragon lanterns.In 2007,Shangshe Hualong Lantern performance art was included in the Zhejiang Intangible Cultural Heritage List.In 2014,it was included in the National Intangible Heritage List.This variety of art has undergone a change of identity from the traditional art items in the local field of vision to the“intangible cultural heritage project”in the national field of vision.In this process,multiple forces have remolded the art form itself and its symbiosis environment.Under multiple perspectives,the art and the art holder also present different identities.The“circumstances”of Shangshe Hualong Lantern performance art in the post-application period will outline its different development path in the new era.