摘要
回望中国改革开放的40年,深圳具有鲜明的先锋性和示范性。以深圳华侨城为研究对象,对其自1980—2000年代间的建设历程进行历史化回溯;总结出其营造模式的特点,即旅游功能在整个区域内的延续和强化;指出“旅游”的背后是一种营造景观的能力,而景观又勾连着一个自洽的叙事系统。正是这种自洽性,成为“华侨城”品牌立足的关键。其中所谓“造景”一词,其更深的含义不仅是指向建造物质的景观对象,还意味着营造一种非物质的空间想象。
This study looks at Shenzhen Overseas Chinese Town,traces its construction process from the 1980s to the 2000s,and reveals its building pattern characteristics of continuing and strengthening the function of“tourism”in the entire area.What behind“tourism”is a kind of ability to build the landscape,which is articulated with a“self-contained”narrative system.It is this kind of self-consistency that has become the key to the brand of“Overseas Chinese Town”.The meaning of the phrase“landscape making”is not only to construct a physical landscape object,but also to create a non-material spatial imagination.
出处
《新建筑》
2022年第3期107-111,共5页
New Architecture
基金
国家自然科学基金重点项目(52038007)。
关键词
深圳华侨城
旅游
造景
创意文化园
景观
Shenzhen Overseas Chinese Town
tourism
landscape making
OCT-LOFT
landscape