朱仙镇木版年画与当代设计

New Year Woodblock Prints and Contemporary Design in Zhuxian

近年来,随着提高国家文化软实力口号的提出,作为国家第一批非物质文化遗产的朱仙镇木版年画逐渐进入到人们的视野中。每逢新春佳节,贴年画作为春节必不可少的元素,与一声声炮竹共同唤起人们对于春节最初的记忆,它就像是一个勇士,高举着来自两千多年前汉代的薪火,代代相传,至今依然散发着新鲜与活力,蕴含着人们对于早期自然的崇拜,也是对于未来美好生活的期盼。如今,创新加速了社会的进步,新时期,新气象,作为传统文化的朱仙镇木版年画不再受到大众的青睐。本文对于朱仙镇木版年画的历史渊源、当代研究现状、实地考察分析以及对其发展现状,总结出朱仙镇木版年画在当代社会发展中所存在的问题,并探索朱仙镇木版年画在当代社会的发展路径,结合当代设计,从而全面地研究朱仙镇木版年画中所蕴含的文化内涵及精神价值。

In recent years,with the proposal of the slogan of improving the soft power of national culture,as one of the first batch of national intangible cultural heritage,with a long history and culture,zhuxian Wood-plank New Year paintings have gradually come into people's sight.During the Spring Festival,followed the essential element as the Spring Festival symbols,and the frequent fireworks to arouse people first memory for the Spring Festival,it is like a warrior,holding the pass on from more than two thousand years of the han dynasty,handed down from generation to generation,still fresh and dynamic,contains the natural worship is for early,and hope for the future a better life.Nowadays,innovation accelerates social progress.In the new era and new atmosphere,as a traditional cultural intangible cultural heritage,Zhuxian Town New Year wood-block prints can no longer be favored by the public.Ontology through to the historical origin of woodcut New Year's paintings vermilion immortals township,contemporary research status,on-the-spot investigation and the analysis of its development present situation,compared with other pictures from several aspects such as analysis,try to summarize the woodcut New Year's paintings vermilion immortals township problems in the development of contemporary society,and explore in the contemporary social trend of the development of woodcut New Year's paintings vermilion immortals township,combined with the contemporary design,Thus a more comprehensive study of zhuxian Town New Year woodblock prints contained in the cultural connotation and spiritual value.