摘要
《漫水》小说集以隐喻方式建构了一个田园牧歌式的“边城”,作者王跃文作为一名从农村走出来的作家,“屋”就是其乡土情结的化身,它在文中更像是贯通全文的一条线索,通过复现和升华形成一种结构化的隐喻功能。从具体到抽象、单一到多维、微观到宏观角度进行认知加工“,屋”通过本体、结构、方位、文化隐喻反映了人们的生活观、血脉观、乡土观和生死观。作者目睹乡村蜕变中钢筋水泥取代传统木屋而引发思考,用诗意建构了一个蕴含历史隐痛、现实感伤的理想化乡土世界,通过隐喻与读者的心理空间相连接,在现代社会中呼唤与赞美人性温暖。
The novel collection of Manshui made an idyllic“border town”in a metaphorical way.As a writer coming out of the countryside,Wang Yuewen takes“Wu”as the embodiment of his connection with folk culture,which serves as a thread running through articles.A structured metaphorical function through continuous repetition and sublimation is formed.From concrete to abstract,single to multi-dimensional,micro to macro,“Wu”reflects people’s outlook on life,heritage,landand death through ontology,structure,orientation and cultural metaphor.The author witnessed the replacement of traditional wooden houses by reinforced concrete in the transformation of rural areas,and constructed a poetic and idealized world containing historical pain and realistic sadness that connected the psychological space of the author with that of readers through metaphor,thus calling and extolling a sense of humanity in modern society.
作者
刘晓云
LIU Xiaoyun(School of Liberal Arts,Nanjing University,Nanjing,Jiangsu 210033;School of Literature and Journalism,Hunan First Normal University,Changsha,Hunan 410205)
出处
《中国文学研究》
CSSCI
北大核心
2022年第2期211-220,共10页
Research of Chinese Literature