摘要
泽泻屋是日本歌舞伎界众多堂号之一。作为泽泻屋的领衔人物,猿之助这一名号已从第一代传承至第四代,除了艺名的代际传承,更重要的是作为歌舞伎界“异端者”以及“革新者”这一家族基因的传承。第三代猿之助开创了超级歌舞伎这一新样式。第四代猿之助善于跨界营销,将人气动漫作品改编为超级歌舞伎,获得观众认可。以猿之助领衔的泽泻屋不走寻常路的发展历程,对传承日本歌舞伎这一传统技艺做出了重要贡献。
Omodakaya is one of the many house names in Japanese Kabuki circles.As the leader of Omodakaya,the name of Ennosuke has been inherited from the first generation to the fourth generation.In addition to the intergenerational inheritance of stage names,it is more important to inherit the family genes of“heretics”and“innovators”in Kabuki.The third generation of Ennosuke created super Kabuki.The fourth generation of Ennosuke,who is good at cross-border marketing and adapts popular animation works into super Kabuki,has been affirmed by the audience.The unusual development of Omodakaya led by Ennosuke has made an important contribution to inheriting the traditional skill of Kabuki.
作者
严立君
YAN Li-jun(School of International Journalism and Communication,Beijing Foreign Studies University,Beijing,100089,China)
出处
《晋中学院学报》
2022年第4期35-40,52,共7页
Journal of Jinzhong University
基金
2019年度国家社科基金艺术学重大项目“富连成人才培养体系研究”(19ZD09)。
关键词
泽泻屋
猿之助
超级歌舞伎
传统艺能
Omodakaya
Ennosuke
Super Kabuki
the Traditional Skill