以历史为参照系:论孙毓棠新诗风格的形成

Taking History as Reference:On the Formation of Sun Yutang's New Poetry Style

孙毓棠的早期诗作带有浓烈的浪漫主义色彩,从不自觉到自觉地靠拢新月派,又走向现代主义与历史题材的结合,其间有一个不断深化的过程。学生时期的孙毓棠显现出迈向成熟之前的“单纯”,对“真实”与“童真”的追求是他写作的起点,也始终作为精神底色存在。1940年代,浪漫主义不断被压缩,孙毓棠早期所使用的意象以及写作手法逐渐不再适应于“时代的诗情”,在“浮士德式的内心骚乱”状态下,他进入复杂的写作状态,以自身历史专业为参照系,强化了时代的感应神经。之前对孙毓棠的研究集中于名篇《宝马》,而忽略了孙毓棠作为一名历史学家在新诗创作上走向成熟、又最终归于沉寂的路径与原因,这或许仍然必须回到新诗文本的细读中去。

Sun Yutang's poetry,with a strong romantic color in early stage,later unconscious or conscious features of the Moon Society,and then a combination of modernism and historical themes,reveals a continuous deepening process in its formation.During the student period,Sun Yutang showed a kind of"pureness"before maturity.His pursuit of"truth"and"naiveté"was the starting point,as well as a spiritual background,of his writing.In 1940s,where Romanticism was constantly compressed,the images and writing techniques used by Sun Yutang in his early years were gradually no longer adapted to"the call of the time for poetry".Driven by a"Faustian Unrest"state,he gradually entered a complex writing state.Taking history major as a frame of reference,he strengthens the sense of the times.Previous studies on Sun Yutang focused on the famous poetry Baoma,ignoring the path and reason why Sun Yutang,as a historian,became mature in the creation of new poetry and eventually became silent,which may still have to go back to the close reading of his poetry texts.