摘要
穆海买提·毛拉是十九世纪末木卡姆艺术的重要传承人之一,早年他对木卡姆的学习有着家传与师传的双重背景,这一经历对他日后传承木卡姆艺术打下了一定的基础。穆海买提·毛拉生活在动荡的年代,他依然把南疆的喀什十二木卡姆于1883年带到了伊犁,他最大的贡献就是与自己许多的得意门生共同缔造出了具有浓郁地方特色的伊犁木卡姆(城里)风格,并为此奉献了自己的一生。
Mullah Muhaimaiti is one of the important heritage of the 19th century mukam art,at an early age he had a family of mukam learning with the dual background,the experience of his inheritance mukam art laid a certain foundation in the future,combining with the artist historical environment,Mullah Muhaimaiti live mainly in the turbulent times,He still brought the Kashi Twelve Muqam in southern Xinjiang to Yili in 1883.His greatest contribution was to create the strong local characteristics of Yili Muqam(city) style together with many of his best students,and to this end,he dedicated his life.
作者
孙会宾
Sun Huibin(College of Art,Urumqi Vocational University,Urumqi Xinjiang 830002)
出处
《和田师范专科学校学报》
2022年第2期97-102,共6页
Journal of Hotan Normal College
基金
2018年度国家社科基金艺术学艺术项目“‘一带一路’背景下的环天山音乐文化研究--新疆与中亚各国跨界民族音乐文化研究”(18ED214)阶段性成果。
