摘要
《洛伊》是加尔各答阿朱尔·阿姆拉·萨拜俱乐部2019年委托建造的一座杜尔伽节临时棚舍。它建在街道上,对朝拜者、游客、信徒和非信徒等所有人开放。本文介绍了艺术家团队如何与竹编、藤编工匠以及当地居民协会的成员等通力合作完成这件作品,使之成为艺术、建筑、工艺、园艺和科技领域共同合作的创作成果,呈现出多工序、多材料集约、电子交互以及蕴含着“高情感价值”的空间场域。
Loy is a Durga Puja Pandal(a tent for housing the deity of the Hindu Goddess Durga during the 2-week long festival celebrations) commissioned by Arjunpur Amra Sabai Club, Kolkata in 2019. It is built on the streets and is open of for all-worshippers and tourists, believers and the non-believers, alike. The installation was a bamboo, cane, cloth and rope structure embedded with an interactive electronic and acoustic system. This article tells the story of how artists team with bamboo weaving, the cane making craftsmen and local residents association members to complete the work together, making it a work of art, architecture, crafts, gardening, and science and technology, which is presented as a space field of the process and materials and intensive electronic interaction and also a "high emotional value".
出处
《公共艺术》
2022年第1期38-39,共2页
Public Art
关键词
第五届国际公共艺术奖
传统手工艺
新媒体技术
生态系统
The Fifth International Award for Public Art
traditional handicraft
new media art
ecological system