摘要
陕西作家陈彦的长篇小说《主角》讲述了秦腔名伶忆秦娥半生的荣辱得失、贵贱毁誉以及以她为代表的秦腔表演剧团在时代变迁裹挟下的几度兴衰沉浮。作家在根植现实主义写作手法的同时,融合了古典文学的表现技巧与传统文化哲思来铺陈情节,将主人公忆秦娥的成长经历与秦腔这项古老的戏剧艺术相联结,以个人命运之浮沉写出了传统戏剧更迭发展的艰辛历程。在《主角》中,陈彦延续了其一贯的创作理念,秉持着戏剧工作者和作家的双重文化使命对秦腔表演艺术予以深切观照,并对传统曲艺在当代的价值意义与传承发展问题予以了深刻的省思。
Protagonist,a novel written by Shaanxi writer,Chen Yan,tells the story of Qin E′s fame and loss in her half-life,as well as the ups and downs of the Shaanxi Opera troupe represented by her in the changing times.Based on the realism writing technique,the writer integrates the expression skills of classical literature and traditional cultural philosophy to elaborate the plot,connects the protagonist′s memory of Qin E′s growth experience with the ancient drama art,Shaanxi opera,and describes the arduous process of the development of traditional drama with the ups and downs of personal fate.In this novel,Chen Yan continues his consistent creation concept,holds the dual cultural mission as the drama worker and writer to deeply examine the performing art of Shaanxi Opera,and deeply reflects on the value significance,inheritance and development of traditional Chinese opera in the contemporary era.
作者
范鑫雨
FAN Xin-yu(School of Literature,Southwest University,Chongqing 400700,China)
出处
《西安航空学院学报》
2022年第2期66-71,共6页
Journal of Xi’an Aeronautical Institute
关键词
陈彦
《主角》
秦腔
叙事策略
主题意蕴
Chen Yan
Protagonist
Shaanxi Opera
narrative strategy
theme implication