湖湘民间舞蹈的动作元素及其编创运用

Movement Elements and Choreographic Application of Huxiang Folk Dance

湖湘民间舞蹈以湖湘文化为基础,有着多民族文化融合、楚汉文化融合等特点。既往对湖湘舞蹈的研究主要针对湖南省的部分民间舞,少有深入到湖湘民间舞蹈动律等本体问题,这里通过湖湘地区汉族民间舞与少数民族民间舞的统计、比较和分析,找到根植于本地区文化的几种代表性舞蹈动律特点,包括“矮”“扭”动律、龙或鼓等道具的应用、一旦一丑的配合模式,并在此基础上对当代舞台上已有的湖湘民间舞蹈进行分析和对比,在湖湘民间舞创作中找到相应作品予以验证。

Huxiang folk dance is based on the Huxiang culture and has the characteristics of integrating multi-ethnic groups, and integrating Chu and Han cultures. Previous studies on Huxiang dance mainly focus on some parts of folk dances in Hunan Province, and rarely probe into the ontological issues such as the movement law of Huxiang folk dance. Based on the statistics, comparison and analysis between the folk dances of Han people and ethnic minorities in Huxiang region, this paper finds several representative dance movements and rhythms rooted in the local culture, namely “short” and “twisted” movements, the application of props such as dragons or drums, and the matching mode of one clown with one female role. It further analyzes and compares the existing Huxiang folk dances on the contemporary stage, and finds corresponding works in Huxiang folk dance creation.