浅析传统文人画家的色彩观念

On the color concept of traditional literati painters

文人画以传统老庄思想为核心,以文人士大夫为创作主体,更偏重绘画的意境而非写实,有区别于浓重色彩表现的民间和宫廷画院的绘画。因而文人画更注重对人文精神内涵及绘画象征意义的表达,故文人所用色彩清淡,善用笔墨,透过“墨分五色”呈现不同的价值观念,并将墨色赋予一定的文化内涵,成为中国画的审美主体。不少学者从色彩科学与视觉等西方学术语境的角度,或是从中国绘画风格发展历史的角度论述文人画的色彩观念,忽视了造成文人画色彩表现差异背后的哲学与思想层面的因素。文章从文人画的色彩特点入手,结合文人画的内在精神与色彩表现之间的联系,分析传统文人画家的色彩观念。

Literati painting with traditional Lao Zhuang thought as the core,literati as the creation of the main body,more emphasis on painting artistic conception rather than realism,is different from the strong color performance of folk and court painting.Therefore,literati paintings pay more attention to the expression of humanistic spirit connotation and symbolic meaning of painting,so literati use light color,good use of brush and ink,through the"ink is divided into five colors"to present different values,and the ink color endowed with certain cultural connotation,become the aesthetic subject of Chinese painting.Many scholars discuss the color concept of literati painting from the perspective of western academic context such as color science and vision,or from the perspective of the development history of Chinese painting style,ignoring the philosophical and ideological factors behind the difference in the expression of color in literati painting.This article starts with the color characteristics of literati painting,and analyzes the color concept of traditional literati painters by combining the inner spirit of literati painting with the relationship between color expression.